Igor Goldin (Director) Main-Travelled Roads (New York Musical Theatre Festival - Richard Rodgers Award), YANK! a new musical (Gallery Players - GLAAD Award nominee with Bobby Steggert, Jeffry Denman and Nancy Anderson), The Chocolate Tree (National Alliance for Musical Theatre with Cady Huffman and Christopher Sieber), Unlock’d (NYMF 2007 Best In Fest Award; Outstanding New Musical 2007, Talkin' Broadway Summer Theatre Festival Citation), the all-star concert My First Time (New World Stages with Matthew Cavenaugh, Hunter Foster, Ann Harada, John Tartaglia, Mary Testa, Hunter Bell and Susan Blackwell.), Common Grounds (NYMF 2006 Award for Excellence in Direction), Yank! (NYMF - Outstanding New Musical 2005, Talkin' Broadway Summer Theatre Festival Citation), Like You Like It (Theatre Under The Stars/TUTS - Sam Houston State University joint production), The Chocolate Tree (New Jersey Rep), Unlock’d (The York Theatre Developmental Series). Regional credits include: Violet, The Spitfire Grill, The Full Monty, The Complete History of America (abridged). Upcoming: YANK! (Diversionary Theatre, San Diego), The Chocolate Tree (Actor’s Cabaret of Eugene, OR), Like You Like It (Gallery Players), Blithe Spirit and Dracula (The Barnstormers). Igor is a graduate of the North Carolina School of the Arts, a staff director of musical theatre at the American Musical and Dramatic Academy and a member of the Society of Stage Directors and Choreographers. www.igorgoldin.com

Phillip Kirchman (Musical Director) Texas native, Phillip Kirchman, currently resides in New York City where he music directs,coaches and accompanies. Phillip is thrilled to be working as the Music Director and Arranger for Love Incorporated. Thanks to Igor Goldin and Marc Castle for bringing me on board. Most recently, Phillip performed for the season opening of the Engeman Theatre in Northpoint, Long Island, The Best of Broadway with Cady Huffman, Erin Dilly, Merwin Foard, Max Von Essen, and Doug Eskew. Additionally, Phillip appeared in performance with Sierra Boggess, Lea Michelle, Sarah Stiles, and Julie Reibing for 1500 children from the 5 boroughs of New York. Other Music Direction includes Oklahoma Lyric Theatre (Plaid Tidings), the Bernstein Foundation (Peter Pan), NYMF 2007 (Sympathy Jones w/ Kate Shindle), At This Performance, the Broadway Covers Concerts, produced by Stephen DeAngelis, The New York Theatre Barn, An Evening of Schwartz (with Matt Cavenaugh), MITF 2007 (Twist), The Mac-Haydn Theatre 2004 and 2005 Season, and the New London Barn Theatre 2003. Cabaret work including Guy Pride (created by Lee Cavallier), The Urban Dolls in Talkin’ bout Our Generation (Monica Patton, Renee Veneziale, and Holli O’Brien), The Mabel Mercer Foundation’s Cabaret Convention closing concert 2007.

Tony Zimbardi (Scenic/Properties Design)

Hunter Kaczorowski (Costume Design) is a designer for theater, dance and film, as well as a visual artist and puppeteer. Costume design credits include: Harlem School of the Arts, Mint Theater Company (The Fifth Column, as assistant to Clint Ramos), Mir Productions, Peter Kyle Dance and The Bailiwick Repertory in Chicago. He is a Collaborating Artist with The A.O. Movement Collective in Washington D.C. and Resident Costume Designer at the Vital Theater Company (2007-8 Season). Hunter's puppet piece, Duncan, part one, was recently seen at St. Ann's Warehouse with Great Small Works. Upcoming: costume design for Clay McLeod Chapman's film Henley Road Motel. B.A. in Costume Design and Puppetry from Sarah Lawrence College, 2007

Rebecca Makus (Lighting Design) Rebecca M. K. Makus (Lighting Design) has designed at the Edinburgh Fringe Festival, Sibiu International Theatre Festival in Romania and has worked extensively in New York City.  She is the Resident Lighting Designer for Proto-type, Inc. which is based in Lancaster, UK. Recently she was a Guest Artist at the University of Rochester’s International Theatre Program. 

Quentin Chiappetta (Sound Design) esigner for television, film, dance, and theatre. He has scored dozens of independent films. Theatre work includes score and sound design for Bad Girls by Joyce Carol Oates and Dan Gordon’s Murder in the First for which he won 2 Innovative Theatre awards. Quentin is composer and sound designer for Irena’s Vow starring Tovah Feldshuh, which will open this fall.

Michael Cassara (Casting Director) is pleased to once again collaborate with director Igor Goldin, having previously cast Main-Travelled Roads (winner of the 2007 Richard Rodgers Award) earlier this year.  He is the resident casting director for the New York Musical Theatre Festival, where he has cast over two dozen productions since the festival’s inception in 2004.  He most recently served as the casting director for the feature film Clear Blue Tuesday (due for release this fall) and recent theatre projects include …Forum (Sondheim Center, starring Richard Kind), Cassandra’s Angel (workshop, starring Malcolm Gets) and the national tour of Stephen Schwartz’s Captain Louie.  Current/upcoming: End Days by Deborah Zoe Laufer at the Vineyard Playhouse, and the New York premiere of David Gow’s Cherry Docs.   Member, Casting Society of America.  For more information, please visit www.michaelcassara.net.  

Nick Tochelli* (Stage Manager) Nick is a recent transplant to NYC by way of Rochester, NY. Since moving in October, he has been Production Stage Manager for Slaughterhouse-Five, and The Basketball Diaries (Godlight Theatre Company), and directed by Larry Moss. He has also been the Assistant Stage Manager of Ladies and Gents (Irish Arts Center), and Jailbait (Cherry Lane Theatre). Nick served as stage manager for American Psyche, and The Best of the ID America Festival (Quo Vadimus Arts). Regionally, Nick worked at Bristol Valley Theater in Naples, NY for two summers where he was Production Stage Manager for Barbra's Wedding, Dames at Sea, I Left My Heart, Absurd Person Singular, Mercy of a Storm, Ghosts Among the Grapevines, Bad Dates, and High Dive. He was Assistant Stage Manager for Sisters of Swing, Wait Until Dark, Nice People Dancing to Good Country Music, Nevermore, and Sweeney Todd at BVT as well. He also worked for Blackfriar's in Rochester as Production Stage Manager fora new adaptation of Little Women, and Tea at Five. Nick also works as a Sound designer and has designed for Eastern Standard, Dearly Departed, Bach To Boogie, The Laramie Project (SUNY-Fredonia), Barbra's Wedding, Nevermore (Bristol Valley Theater), American Psyche, and Epitaph for George Dillon. Graduated with a BA in Theatre from SUNY-Fredonia in 2005, and a proud member of Actor's Equity.

Amanda Cynkin (Assistant Stage Manager) graduated from Vassar College with a BA in Stage Management. She has worked at The Signature Theatre Company, The O’Neill Playwrights’ Conference, The Berkshire Theatre Festival, Keen Company, New York Theatre Workshop’s Mondays-at-Three reading series, Ensemble Studio Theatre’s Director’s Lab, The Cherry Lane and most recently in LAByrinth’s Public-LAB series. She is happy to be making her MITF debut with Love, Incorporated.

Jennifer Boehm (Marketing) originally from North Dakota, is thrilled to be working behind the scenes on this fabulous new production. Also a performer, she can next be seen in The Ghost Dancers (also part of the Midtown International Theatre Festival) in July, The Hope Chest (Foundry Players, Washington DC) in August, and The Maguffin (Philadelphia Fringe Festival) in September. Recent credits include: the premiere of The Ghost Dancers at Sanford Meisner Theatre, Shapeshifter at The Barrow Group Theatre, Young Jean Lee’s Church at The Public Theater and Always Family at The Kirk Theater at Theatre Row. A featured soloist in a Humanitarian Concert Tour in Bulgaria last June, Jennifer is also the Managing Director at Looking Glass Theatre and works as a freelance sportswriter. A wild abundance of thanks to family and dear friends for their unconditional love and support.

Paul Siebold (Press/Publicity) After working extensively as a professional actor, Paul transitioned into the corporate world where he has been a marketing and public relations executive for over 15 years.  He is thrilled to continue to support theatre by publicizing theatrical productions.  Publicity credits include the Equity Shcwcase productions YANK! A New Musical (Gallery Players); Love, Incorporated (MITF) and the upcoming premiere of Like You Like It (Gallery Players).  Paul is a member of AEA and AFTRA.

Katherine Heberling (Associate Producer) is an Off-Broadway Company Manager by day and an independent director/producer by night.  At The Directors Company, where she has worked for the past four years, Katherine oversees the administration of all readings, workshops, and productions, and assists the Artistic Director in script evaluation and season planning.  She was General Manager on the award-winning New York premiere of Murder in the First by Dan Gordon and Company Manager on the World Premiere of The Milliner by Suzanne Glass.  As a freelance director, Katherine’s work on CouchFullaLuv by Kato McNickle and Don’t Wait ‘Til It’s Too Late by Lenore Blumenfeld at The Looking Glass Theatre was well-received.  Katherine first paired up with fellow indie producers Kelly R. Haydon and Tzipora Kaplan to present Remuda by William Donnelly, which had a highly successful run at the Midtown International Theatre Festival.  Most recently, she and her producing partners premiered Katherine & Friends (KNF), a new development series designed to support and champion independent theatre artists on an Off-Broadway level.  Katherine is also a member of Invictus Theater Company, has served as Administrative Assistant for the prestigious Kesselring Award for Playwriting, and is an alum of the New York Stage & Film directing apprentice program. 

Tzipora Kaplan (Producer) Most recent PM credits: Emerging Artists Theatre's Triple Threat Premiere, three off-Broadway shows in rep at the Baruch Performing Arts Center, Katherine & Friends: Theatre In The Rough, a new workshop festival. Previous selected Directing credits: Welcome to New Jersey!, a new childrens' musical for Vital Children's Theatre, book and lyrics by J. Holtham and music by Kwame Brandt-Pierce, Remuda by William Donnelly in the Midtown International Theatre Festival, The Big Guy with the Thing at Gallery Players; and Sick at Emerging Artists, where she is a company member. Stage management credits of note include a workshop of Stoker by Raymond Hardie and Grammy-award winning composer Joe Jackson, directed by Tony-winner Judith Dolan; and a reading of Irena's Vow by Dan Gordon, starring Tovah Feldshuh. One additional highlight from her career as a freelance artist includes being fingerprinted by the NYPD 1 minute before curtain. She sincerely hopes that one day she will have the guts to be irreverent in her bio.

*Member of Actors’ Equity Association An Equity Approved Showcase.